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Archive for the tag “Helen Hollick”

En garde – with pens aloft!

IMG_0057I guess no one has missed out on the fact that it is March. Catkins, snowdrops and crocuses, the odd shy daffodil and afternoons that grow increasingly lighter herald the advent of spring. March is also the month many of us dedicate to highlighting women – whether it be historical people or present-day heroines.

Some weeks ago, Helen Hollick, Alison Morton and I were chatting about this and that (well, we were actually discussing what our fictional heroines would do if our equally fictional heroes were unfaithful. Became quite heated…) from which we segued into a discussion that resulted in Helen writing the post below. Seeing as we’re relatively creative (What can I say? Most writers are) we decided to publish Helen’s post simultaneously on our three blogs AND couple it with a giveaway – in honour of our fictional ladies! Which is why I hereby take a step back and ask you to welcome Helen – preferably with a round of applause 🙂


Author Anna Belfrage, during a recent conversation mentioned a thought about the real heroines behind the fictional heroines. I wondered if heroes should also be included, but March is Women’s History month, so let’s stick to the ladies here. (We can spotlight the men another time to balance the books.)

In this instance, Anna was referring to the writer as the heroine – the author, the person tapping away at a keyboard or scribbling with a pen on paper (remember those?)

writer ec13c36cd139a922b728e78c2dd84892The fictional heroine usually goes through hell and back in a story, or at least some sort of trauma or disaster or romantic upheaval, or complication or… well, you get the picture. But what about the writer who is creating that character, that scene, that story? Is it a case of sitting down at a desk from 9-5 Monday to Friday, tapping out a few thousand words a day, Other Half supplying a cup of tea/coffee/wine/gin on the hour every hour? Those several thousand words flowing freely, the plot flashing along, scene after scene with no wavering? Novel finished, a dutiful re-write, check for the occasional missed blooper, then off to the editor for a quick once-over?

Oh I wish!

The only bit of the above that is mildly true for me personally is the tea/coffee appearing a couple of times a day in between countless re-runs of Westerns on the TV which my husband watches with avid fascination, apparently completely unaware that he watched the same John Wayne/Jimmy Stewart et al movie the day before. And the day before that.

Meanwhile, I struggle during the dark, miserable days of winter. Even the effort to get out of bed some dank, dark, damp mornings is hard work for those of us who suffer from S.A.D. (Seasonal Affected Disorder – basically a desire to hibernate during winter.) To be creative, to find the words to write when I can’t even remember the cat’s name (I am not joking!) is hard work.

Then there is the research, particularly for historical fiction writers who need to know the facts of a period or event before they can even start writing chapter one. All genres need a certain amount of research, even fantasy and science fiction – possibly even more so, because to make the unbelievable believable the facts have to be correct, otherwise all the believability goes out the window.

For writers, meeting our new characters – male or female – is not always a walk in the park, although for me, I did meet my pirate hero, Jesamiah Acorne, on a drizzly-day Dorset beach. Long story cut short: I was walking on the beach thinking up ideas for Sea Witch. Looked up and saw a vision of Jesamiah. Might have been my imagination, might have been a spirit from the past – no matter, I saw him. In full pirate regalia. And immediately fell in love.

Alison MortonNov16_sm

Alison Morton

Alison says hers have been swishing around in her head for decades ever since she trod on a Roman mosaic floor at age eleven!

As for Anna, she blames it all on her husband. It was all because of his family history, which involved fleeing Scotland in 1624 due to religious persecution. She started reading up on the 17th century and fell in love. One day, Matthew Graham stepped out of her murky imagination and demanded she tell his story, which she has done, over several books.

Our characters get under our skin, into our hearts, minds, lives and very being. When it is time to finish the book, or a series – oh, the heartache of saying goodbye and letting them go! To create believable characters, to bring them alive, to make them look, feel, behave, sound real, to do real (even if they are impossibly over-the-top real) things takes dedication, skill, determination and courage.

Yes. Courage.

Writing can be a hard taskmaster. We slog away in our studies, corner of a room, spare-bedroom or wherever trying to get a paragraph – a sentence – right. We edit, re-edit and edit again and again. We spend hours writing a scene, then delete it because it isn’t good enough. I have deleted entire chapters. We wake up with our characters, walk, live, play, think of, go to bed with them (no not that sort of ‘go to bed’!) They are there with us 24/7 because if these fictional people are real to us, then they will become as real to our readers. In theory.


Helen Hollick

I am not being sexist here, but I do think women writers have a tougher time of it than do the men. Admitted I am talking in general here, but many women writers already have a full-time 24/7 job of bringing up children and organising the family, at least this was so thirty years ago when I gave up the ‘hobby’ of scribbling my ideas and got on with attempting to do it properly with the end goal of being published in mind. Usually (OK not always) it is the woman who gets the kids off to school, does the housework, the shopping, the laundry, goes to her own job, collects the kids from school, cooks the dinner, gets the kids to bed… We grab coffee breaks or the bliss of a quiet hour in the evening to get that next paragraph written. I’m not saying that the blokes in between work and chores also have to snatch those golden moments where they can sit and write, but I’d wager that many an established male writer wanders off to his study in the morning, saunters out at lunchtime, strolls back to his desk to emerge around six-ish to watch TV. Lunch, dinner, clean shirts and tidy house happening via the Magic House Fairy.

At least, now, women writers can create our stories under our own name. How many of our great female writers from the past had to invent a male pseudonym to be heard and published? I think the term ‘heroine’ definitely applies to these brave and determined ladies of the past.

So why do we do it? Why do we spend hours doing this darn silly job of writing fiction? It’s not for the money that’s for sure. Very few writers outside the top listers make enough to equal a suitable annual wage. So why?

Ever heard the answer to a question put to Sir Edmund Hilary when he had successfully climbed Everest in 1953? “Why did you want to climb it?”
His answer? “Because it’s there.”

Well, for us, for fiction authors, we write the words because they are not there…


democracy-1280px-eugene_delacroix_-_la_liberte_guidant_le_peupleThank you, Helen! For some reason, the above has me thinking of this picture… (I know, a bit over the top)

As promised above, this post comes with a giveaway. I will be giving away one copy of whatever book the winner chooses, whether it be from my time-slip series The Graham Saga or from The King’s Greatest Enemy, my series set in the midst of the medieval mayhem that characterised the 1320s in England. All you have to do is leave a comment below, telling us who your favourite historical woman is 🙂 The winner will be presented on Friday next this week, so you have until then to enter.


And, don’t forget: Helen Hollick and Alison Morton are also doing giveaways, so pop over to their blogs to join in!

BoxA6-final_smFind Alison’s books here! And for those already familiar with Alison’s writing, keep an eye out for the next book in her Roma Nova series. Retalio will be out end of April. For those as yet unfamiliar with this excellent alt hist series featuring a modern day remnant of the Roman Empire, Roma Nova, and its people, what on earth are you waiting for?

All-Books-2017-768x595Find Helen’s books here! And no, Helen doesn’t only write about fictional pirates (although Jesamiah Acorne is intriguing enough to inspire like twenty books, IMO). Other than her historical fiction, she also writes non-fiction, and has recently released Pirates: truth and tales – an excellent intro to those real-life villains who made the high seas so unsafe during the early 18th century.

UPDATE! The happy winner is Richard Tearle!

The good, the bad and the ugly – a smorgasbord of pirates

hh-pirates-whole-series-2016Today, I’ve invited Helen Hollick to join me here on Stolen Moments. Helen is the author of many, many books, among which her books about Emma of Normandy and Harold II of England deserve a special mention. As do her wonderful books about the dashing pirate Jesamiah Acorne and his adventures in the early 18th century. I must admit to being somewhat addicted to the Seawitch series – and Jesamiah. Now, in difference to real pirates, Jesamiah is a “good” pirate. So far, he hasn’t tortured, raped, terrorised or otherwise intimidated his fellow men. Thank heavens for that!

hh-2-helen-mediumObviously, to write books about an imaginary pirate requires that you do your research. It is therefore not exactly surprising that Helen knows A LOT about pirates. So much, in fact, that she has now written a non-fiction book, Pirates: Truth and Tales, about these maritime bandits – most of them anything but good!

So, I now turn you over to Helen and her post about some not-so-nice men.


Were there any good pirates? They might be a tad difficult to find, unless you go back as far as Ancient Greece when a pirate was respected and admired as a warrior figure; the word pirate comes from the Greek verb, peiran: to attack.

There’s no denying that pirates were thieves, murderers and rapists – the terrorists of their time, although during the seventeenth and earlier eighteenth century they were tolerated, even encouraged, by various Kings, Queens and Governments of England because they plundered the ships of countries which were enemies. Spain mostly.


Favourite hunting grounds of the pirates

The handful of years between 1700-1722 was the Golden Age for these scurvy knaves of the sea. They might be dashing heroes in the eyes of Errol Flynn and Johnny Depp fans, but were darn nuisances to the Spanish and merchant traders. Funny how piracy, under the guise of legal privateering, was acceptable when it involved English ships with mostly English crews plundering Spanish treasure for the benefit of King and Country, but as soon as their deeds started hitting the pockets of merchants back home in England, the pirates had to go.

To be fair, trade between England and the American Colonies, pre 1700, was only on the cusp of exploding into Big Profit Territory – ergo uninteresting to those of piratical inclinations. Land such as Florida and the Carolinas had nothing to offer. Virginia beyond the Blue Ridge Mountains was unknown territory. The few plantations along the coast, Chesapeake Bay, easy-access rivers and on the islands of the Caribbean and Bahamas, yielded some profit, but not much.

To earn income from land, labour was needed. This was supplied by indentured servants – on the surface mostly (but not all) willing men and women who traded several years of their lives in return for the promise of land or payment; in reality, slaves, because the majority never received any reward except cruelty, poverty, and all too often, death.


A Buccaneer (Howard Pyle)

Then, the wars with Spain, more or less, ended and for landowners and merchants, tobacco crops became a high source of income, along with sugar and cotton. Vessels carrying these products were just what a pirate wanted. These crops were highly lucrative but required cheap labour to tend them. Forget those poor indentured fools who succumbed to illness and heatstroke. They were replaced by black African slaves. And captured slave ships, for many a pirate, were wonderful because the cargo brought in a lot of money, and once the captured ship itself was cleaned and scrubbed – inside and out – it made a good pirate vessel, for slavers were usually designed for speed. The quicker the Atlantic crossing, the less likely the ‘livestock’ would die in transit.

The most famous ‘bad’ pirate, Blackbeard, had, for a short while, a splendid flagship which he renamed Queen Anne’s Revenge. He had ‘acquired’ her in November 1717 while she was being used as a French Slaver. We don’t know what happened to her cargo, but we do know the ship’s fate. Blackbeard ran her aground in 1718 off the coast of North Carolina, where her wreck was found many decades later in 1996.

Stede Bonnet was known as the ‘Gentleman Pirate’, so was he perhaps the ‘good one’? I personally am curious whether his name was Bonnet as in a lady’s hat, or Bonnay with a French-sounding twist to it? We will never know, except Bonnet (as in hat) doesn’t sound very piratical does it? Nor was he successful as a pirate. After messing things up several times, he was eventually captured and hanged. He had only turned to piracy to escape his nagging wife. Divorce, I feel, would have been an easier option.

Several notorious pirates fitted the category of ‘ugly’ – as in temperament rather than looks. (Although I would wager they were not especially handsome!)


More Howard Pyle – pirates fighting

Among the worst was Edward ‘Ned’ Lowe. Born in London in 1690, he was a known thief. His younger brother was hanged for burglary, and Lowe himself fled to the Caribbean in 1710, probably to avoid a similar fate. He met a girl, married, had a child, the wife dying in childbirth. He tried to hold down a legitimate job, but losing his temper he killed a man, commandeered a ship and turned to piracy. He seems to have respected marriage and women, though, for when capturing ships and forcing men to join his crew, he never insisted that married men should join him. A ‘good’ man after all? Ha! Read on.

Lowe captured more than one hundred vessels and became feared for his cruelty and liking for torture. His favoured method of discovering where valuable cargo was stashed, or punishing someone who crossed him, or who had a face he didn’t like, was to place a slow-match (a rope fuse) between the fingers of bound hands and set light to the rope, which would burn slowly, roasting the flesh to the bone. Another favourite was to suspend his victims by the ankles from a yardarm and drop them to the deck, repeating the process until they died.

As an early form of bungee-jumping, this particular style is not to be recommended.

Then Lowe captured a Portuguese ship, the Nostra Seigniora de Victoria. She was carrying 11,000 gold Portuguese moidores, worth at the time around £15,000 (you can add at least one more zero to that today,) but rather than the treasure falling into pirate hands the ship’s captain heaved it all into the sea. In fury Lowe cut off the man’s lips and boiled them in water, then forced the unfortunate victim to eat them. Lowe then murdered him along with the rest of the crew. He was also said to have burned a Frenchman alive. Definitely not a nice man.

In 1723 he sailed to the coast of Guinea where he met up with a previous partner. The partnership lasted two days, Lowe was abandoned by his friend and most of his crew – they’d had enough of his ugly nastiness. He sailed off due south and was never heard of again.

I doubt many shed tears over his loss!


Ugh! That Lowe character seems like someone best avoided at all costs. Thank you, Helen, for sharing his story with us. Too bad he sort of sailed off and disappeared – although I’ve heard there is an alternative version of his fate, whereby he was captured by the French and hanged. Good riddance, I say.

hh-piratesAs to Pirates: Truth and Tales, it has already received some great reviews. Like this one:

In this informative and comprehensive book, the author takes the idea of pirates and piracy. Interspersed throughout is the author’s impressive knowledge of historical detail and it is obvious that a great deal of research has gone into bringing this piratical guide to life. Skilfully blending historical facts with literary fiction, sometimes, the book reads as lightly as a novel, at other times, we come sharply back to reality with daring tales of mischance and menace, of lives ruined by too much grog and too many loose women, and which ended, all too often, dangled at the end of a hangman’s rope. Throughout the book, the author’s real life buccaneers nestle comfortably alongside their more colourful literary counterparts. I especially enjoyed seeing the author’s own pirate creation, Jesamiah Acorne, from The Sea Witch Voyages, come to vibrant life in his own much deserved chapter. However you like your pirates, be they real or imaginary, there is no doubt that Pirates: Truth and Tales, is a great dip in and out of kind of book and whichever page the book falls open at, you are guaranteed to find a fascinating snippet into the life and times of these colourful, and it must be said, decidedly, dangerous characters. (Jaffa Reads Too)

Should you want to know more about Helen and her books, I recommend you stop by her website or her blog, or on twitter, or on FB. See? Helen’s all over the place!


Hearing it from the writers

It has probably not escaped your notice that I’ve been doing a series pf posts about publishing, reading and writing. Today, I’m opening my doors wide to welcome Helen Hollick and Alison Morton, two very different ladies that have one characteristic in common: they are both equipped with enough driving force to create a gale. They also have in common that they write very good books – Alison’s latest book cost me all my fingernails, while Helen’s books about Jesamiah Acorn generally have me wishing the bloody man was real – and with me.

Right; with introductions out of the way, let’s jump straight into the interview. The ladies have expressed a predilection for tea, and Helen has made sure my homemade scones are accompanied by Devon cream. (Mmm. No need for you to sit on the side-lines and salivate as we dig in, so no further descriptions will be given)

Right; now that we’re all comfortably seated, I’d like to start by welcoming you to Stolen Moments and asking you to briefly introduce yourself as authors. What do you write, what do you plan to write?

AM INCEPTIO_front cover_300dpi_520x802AM: I write Roman-themed alternate history thrillers with strong heroines. It was marvelling at the mosaics at Ampurias (Spain) when I was 11 that started me wondering what a Roman society would be like if run by women… I’m a feminist, too, more ‘lite’ than bra-burning (see here) , so I developed the writing technique of gender-mirroring. In an action scenario, you swap the typical roles of the men and women seen in other thriller stories. Interesting consequences… (Anna says: Too right!)
And the future? Now that Carina Mitela’s story in (dare I say award-winning?) INCEPTIO, PERFIDITAS and SUCCESSIO has mostly been told, it’s back to the 1960s. We find the redoubtable Aurelia Mitela as a young woman, lonely and unsure of her way in the world, but confronted by an enemy who not only wants to destroy her but her beloved Roma Nova. That’s the next three books taken care of!

Helen Large

Ms Helen Hollick

HH: I write two different Historical Fiction genres: my ‘serious’ historical fiction comprises an Arthurian Trilogy, set in the fifth century – the ‘what might have really happened’ story of King Arthur. In my trilogy there is no myth or magic, no knights in armour, no Lancecelot – no Merlin, just the story of a man who fought hard to gain his kingdom, and fought even harder to keep it; helped, and occasionally hindered, by the love of his life, Gwenhywfar. (The Kingmaking, Pendragon’s Banner, Shadow of the King)
I have also written two Saxon novels, one about Emma of Normandy, who became Queen of England to two different Kings, and was mother to two more, (A Hollow Crown (UK title) / The Forever Queen (US title) and a story about the people and events that led to the most famous date in English History – 1066 and the Battle of Hastings. (Harold the King (UK title) / I Am the Chosen King (US title)
My other books are a pirate-based nautical adventure series – The Sea Witch Voyages. I wrote them for fun – hopefully readers enjoy them for the same reason! There are four published at the moment. Sea Witch; Pirate Code; Bring It Close and Ripples In The Sand. On The Account will be published soon. (Anna says: YAY!)
I also have an adventure series planned as a spin-off from my Arthurian Trilogy – The Madoc The Horseman Series. Not written yet though!

Helen, I know that you have made an active choice to re-publish your backlist through self-publishing – and to self-publish your new titles. What were your motivations behind this?

Harold Chosen KingHH: I was dropped simultaneously by my (ex) agent and publisher, William Heinemann because historical fiction had taken a bit of a downturn and the publishers did not want to re-print my backlist. I had the choice of giving up being a writer or obtaining my copyright back and going Indie. I chose the latter. While I was about it I decided to also bring out Sea Witch. I was repeatedly told (by agents and publishers) that Sea Witch was good but because there was a cross-over of genres – historical fiction and fantasy – they would be difficult to market, and besides, “pirates are not popular”. I still cannot understand this last statement – pirates have always been popular! I might add, I have no trouble marketing my books.

And are you still happy with your decision?

HH: Yes. Definitely. Although I do have the advantage of being traditionally published with my serious historical fiction in North America; I am what they call a “hybrid” author.

Alison, did you ever consider attempting to publish the traditional route? If yes, what made you decide to go for a self-publishing alternative?

AM bild

Ms Alison Morton

AM: I did indeed and was getting some full reads and ‘good’ rejections; “fresh, intelligent writing”, tight dialogue”, “good action sequences”, etc. Most concerns were about how to market “such innovative, high concept stories”. But both Helen Hart of SilverWood Books and my agent, Annette Crossland of A for Authors say they cannot understand why the Roma Nova stories weren’t snapped up by a mainstream publisher.
Anyway, I wanted my stories to reach readers – they are the ultimate arbiters, so I investigated self-publishing. I wanted my books to be have the higher possible production values, so I decided to go for assisted publishing.

What would you say are the main drawbacks for a self-published author?

AM: Ah, the terrible twins of visibility and discoverablilty; ultimately, not being in the bookshops, and bearing the cost of marketing.

HH: The only disadvantage of being Indie: I would very much like to have my books published in foreign languages in different countries, but it seems you need an agent for this. Also the current trend is for audio books, it would cost a hefty sum for me to produce all mine in this format. The marketing is also very hard work – I visit social media every day.  And I would like to point out that Helen expends a sizeable part of her time and energy on promoting other indie authors.

And the benefits?

HH: You are in charge of your own books. No agents or publishers insisting on changes – or awful covers. ( I speak from experience.)

AM: a) Freedom! A freedom that includes the freedom to fail, to make horrible mistakes, but also to choose and make decisions about your book. b) Flexibility and ability to set timing to suit you, and the high proportion of input into production, which is another way of saying control.

Which part of the book business do you find most challenging? Personally, I find the promotional aspect difficult, do you agree?

AM: The first draft! After the delights of research and thinking up the main plot structure, sitting down and giving physical form to the story running around your head is hard.

HH: I miss the input of a publishing editor when it comes to decisions: what should be left in or out of a novel, what cover to use? I always used to discuss the plot and way forward with a next novel with my agent and editor – now I am on my own. Decisions are sometimes hard when you are grubbing in the dark for good ideas. Promotion yes – I enjoy Facebook and Twitter but sometimes I feel it to be a bit of a burden (even though my internet friends are all lovely!)

AM: I don’t find promotion difficult – I’m an extrovert – it’s just a huge time-suck and you never know what works best. But I do know that if I stop promoting, sales go down. I favour soft promotion – blog writing, interviews, chatting, social media, but sometimes you do just have to go on Twitter and remind people about your book… And here I’m chuckling: to say Alison is an extrovert is a major, major understatement, wonderful woman that she is!

One of the comments made about self-published books is that the quality is deficient when compared to traditionally published books. What are your comments?

AM SUCCESSIO cover300dpi_520x800AM: I used to get that thrown in my face, but when I put my books in people’s hands, that changed. Now I get, ”Well, we know yours are excellent, but most are terrible.” And I can’t deny it. I’ve read some real shockers some starting with reams and reams of description and not getting to the action, some that are grammatically dreadful, some dripping with purple prose and some just not edited, neither structurally nor copy edited.

HH: Traditionally published books can also be bad. I do wonder, sometimes, how some managed to get published. Quality – in the writing style and in the production – can be poor in self-published books, I agree, but standards are getting higher now that writers are realising that the look of a book is also important.

How can one go about improving the quality of self-published books? What can you – well, we – as writers do?

HH: To be taken seriously as an author in the Indie world you have to make sure that your book is produced to a high quality level, that includes having it professionally edited and proof read, using a professional to design the cover, and ensuring the final product is of good standard – no comic sans font with text left-justified, for instance. Surely, after all that hard work of actually writing the thing you want to send it out into the world looking its best?
I am amazed at how many books do not come up to standard. It is so simple to check – compare your proof copy with a mainstream produced novel and ‘spot the difference’. Is the font clear and a reasonable size? Are the margins too wide, too narrow? Are they properly aligned? Are there any ‘widows’ or ‘orphans’ (a single word or sentence on a page, usually at the end of a chapter.) Do the last lines on the page align with the page opposite – did you use white paper instead of cream, which can make the pages ‘glare’ quite a bit thus making an uncomfortable reading experience. Did you use great swathes of italics (so very hard to read). Did you put the author and title on the spine and the front cover? (You would be surprised at how many authors don’t!) Are there any typos? Check and double check – and do not rely on a spellchecker to edit, words such as their/there hair/hare get missed!

AM: Well, my number one bugbear is editing. If an author isn’t willing to invest in themselves enough to commission a professional edit then I think they should ask themselves why they self-publishing. The other thing I feel strongly about is a need for a quality mark or standard across the whole self-publishing industry. Now this is quite going to be quite hard to get off the ground, but systems like the BRAG Medallion and Ascribe, a new one, and Awesome Indies are paving the way.

 I agree regarding BRAG and all that – and sometimes I wonder just how many traditionally published books would have made it through the BRAG process… not as many as some think, I believe!

There are a number of self-publishing providers out there who offer excellent comprehensive services to aspiring authors. Do you think that over time these providers will become far more selective as to what they actually choose to publish under their imprint, i.e. will self-publishing providers turn away prospective customers because they don’t quite meet the required standards? If yes, is this a development you applaud?

AM: That’s an easy one: yes, and yes. The good providers have a reputation to keep up and with the growing self-publishing market they need to be selective, for business reasons alone.

Helen JesamiahHH: It would be a wonderful ideal to aim at, but unfortunately is unlikely to happen especially with the larger companies. Small ‘personal’ companies wishing to make a respected name for themselves are already doing this, mainly because they have only a few staff members and a smallish client list. Therefore, they can turn away the non up-to-standard authors and concentrate on the better ones. Larger companies have more staff and are in a profit from business scenario – authors pay for what service they want, which may or may not include editing etc. I would hope that the better quality companies do reject the poorer quality submissions though.

Interesting: Alison seems to be of the opinion that it will help business to be selective, while Helen doesn’t believe the business constraints allow for such a development. I guess we will have to ask a publisher to comment…

Finally, let us assume the two of you end up on a deserted island – and aren’t you lucky to have each other under such dire circumstances? Anyway: the boat you were on sank, and together you could only salvage three books. Which three books would you agree on saving, and why?
Well, dear people, that didn’t work out AT ALL, as the two ladies ganged up on me and insisted they be allowed three books each. I, being a polite hostess, caved in…

AM: My nominations include Restless by William Boyd – Best spy book ever and with two strong female leads; The Prince by Machiavelli – for dealing with reality and keeping the brain exercised and Julian by Gore Vidal – The absorbing story of one of the most enigmatic Roman emperors and written by a master storyteller

HH: I would save a Rosemary Sutcliff – probably Mark of the Horse Lord or Frontier Wolf because Rosemary’s books are beautifully written and these two are my favourites. I wish I could write half as good as her!
Sharon Penman’s Here Be Dragons because this is the novel that led to me becoming a published author; I wrote to Sharon thanking her for writing it and added that I wanted to write books. She answered, “If you can write such an interesting four-page letter – I can’t wait to read the book.”
My third book would be The Dark Is Rising by Susan Cooper. It is an inspiring fantasy novel and many of its scenes stay firmly with me. The story has been an enormous influence on my life and my writing.
I’d not worry too much about being stuck on a desert island, though, because I’m sure my Jesamiah Acorne would come and save us in Sea Witch!

Quite eclectic in their tastes, these ladies. Here be Dragons is definitely on my list as well, and I have obviously been remiss in not reading Julian. Oh dear; there went another book onto my TBR pile…

Thank you so much for stopping by ladies! It has been quite the pleasure to have you here with me – even if I am now totally out of scones and homemade blackberry jam!

If you want to know more about my guests, I recommend that you visit their websites and blogs:

Helen Hollick can be found at her website or her blog

Alison Morton has a combined website and blog,


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